The exhibition featured a range of images of beauties, actors, landscapes, and bird and flower subjects from the 18th and 19th centuries.
![KITAGAWA UTAMARO (1754–1806), illustrator YADOYA MESHIMORI, editor The Silver World (Gin sekai) Color woodblock-printed book, with metallic pigments; orihon, original blue paper wrappers loosely painted with a landscape in winter, cover bearing title slip Gin sekai, in chitsu; 1 vol.; 101/4 x 71/2 in. (26 x 19.1 cm), 9 leaves, double-page preface, signed Yadoya Meshimori and dated first month of the year of the Dog [1790] with a large square seal followed by 5 double-page illustrations; Colophon undated,](http://www.izzardasianart.com/cdn/shop/products/utamaro_gin_sekai1_c6599f6d-b78a-4bda-9c1c-004c536b1a89.jpg?v=1500335363)
![KITAGAWA UTAMARO (1754–1806), illustrator YADOYA MESHIMORI, editor The Silver World (Gin sekai) Color woodblock-printed book, with metallic pigments; orihon, original blue paper wrappers loosely painted with a landscape in winter, cover bearing title slip Gin sekai, in chitsu; 1 vol.; 101/4 x 71/2 in. (26 x 19.1 cm), 9 leaves, double-page preface, signed Yadoya Meshimori and dated first month of the year of the Dog [1790] with a large square seal followed by 5 double-page illustrations; Colophon undated,](http://www.izzardasianart.com/cdn/shop/products/utamaro_gin_sekai2_f268eefa-ce9c-49b4-a23f-383eeb37a04c.jpg?v=1500335363)
![KITAGAWA UTAMARO (1754–1806), illustrator YADOYA MESHIMORI, editor The Silver World (Gin sekai) Color woodblock-printed book, with metallic pigments; orihon, original blue paper wrappers loosely painted with a landscape in winter, cover bearing title slip Gin sekai, in chitsu; 1 vol.; 101/4 x 71/2 in. (26 x 19.1 cm), 9 leaves, double-page preface, signed Yadoya Meshimori and dated first month of the year of the Dog [1790] with a large square seal followed by 5 double-page illustrations; Colophon undated,](http://www.izzardasianart.com/cdn/shop/products/utamaro_gin_sekai3_5c9ac220-992a-4bb9-8543-0fdd619f22e4.jpg?v=1500335363)
Specializing in Japanese and Korean Art for the discriminating collector
